Changes to work:
As previously explained, my front cover was to have a gradient black to white background that would effectively fit in with the image content in front. The main image would be a picture of me being depressed, and half my face would appear on the left side of the cover. The black part of the background would appear over it to represent my emptiness and depression, and loneliness. Then in contrast, the upper right corner of the front cover would slowly transfer over to a white background. Over this would be my planned sketch design that would feature over the white background, as the narrative content of me and my girlfriend in the video as seen in the picture would reflect the white background, not only blending into it, but also being seen as lighter and more positive to the black background image on the other side of the page. However, when I was undergoing Digipak production, it became apparent that the gradient would make the cover appear cheap and poorly produced. I deleted my half face image and sketch design from the front cover, and instead added an alternate picture of me, enlarged it, and then set it to black and white. While this initially appeared very poor as a front cover to me, I started to realise the relation that this new cover idea had with the narrative content of my video was actually very strong. The black and white image represented dullness, boring nature, and well as old fashioned visual content. All of these qualities relate to the pause that I have undergone as a result of the girlfriend break-up my character has had in the music video storyline. The pause shows how my character’s life is a halt and how he is living in the past, a painful one. The slightly pixelated, black and white image of my depressed face really amplifies the illustration that my front cover has to relate to the narrative of my music video. Right now, my current structure of this new idea is that it will be a cover that follows the rule of thirds. AKA my face will appear on the left centre of the cover page, and the text will be separately spaced from the face, appearing in the lower right corner.
As a result of the cover change, my sketch is now no longer going to be featured on it. However, since my poster is being planned to feature the sketch as the same main image (a use of consistency) I have decided that I will still feature the sketch in my Digipak as well. This is where my 6th panel AKA the inserted lyrics page, comes into play. My lyrics page has been arranged in such a way that there is a noticeable large space in the lower right corner featuring no content. This is where my space will be included, as it will certainly add to the visual interest of an otherwise text filled page. This sketch will then be ascended to a more significant role in the poster. It is intended to be the main image, centred in the middle of the page in terms of top to bottom scaling. The sketch may just be added into the lyrics page of the Digipak with no further editing, since the white background of the drawing in contrast to the black background of the page should help it to stand out anyway.
Originally, the title of the track list was supposed to be featured on top of the track list on the back cover, but since most back covers on album Digipak's don't actually feature the title 'track list' I have decided to remove it and just feature the actual list in the centre inbetween 2 border lines.
I previously stated that I would choose between using field images for my inside panels consistent pictures, or using suburban images instead, as both provided certain narrative relevance to the music video. However, I eventually opted to use the suburban images instead of the fields for the following reasons. 1, the suburban images have more direct relative meaning, such as the images showing my house and street, the main location of my music video. Also, the houses, while they initially look nice, were also taken in the dark, but with a flash feature on the camera. This is supposed to represent that in the house, where the man in the video will be, there is darkness, internal depression loneliness, and grief. But there is a light outside the house as aided by the camera flashlight. In terms of narrative meaning, it implies that if the man gets out of this emotional state, like he actually does in the video, then better, lighter life will be waiting ahead. Whereas while fields provide basic illustrative content, bare limited relevance to the music video I have planned.
